Frontiers in Retreat

News
23/05/18

Frontiers in Retreat project has ended.

FiR was a five-year long (2013–18) collaborative enquiry into the intersections of art and ecology by eight European artist residencies and organisations, and 25 artists. You can find a selection of Frontiers artist projects and program at http://www.frontiersinretreat.org/activities/. The main organizer of the project HIAP – Helsinki International Artist Programme, together with Mustarinda, is continuing to collaborate on a new project on ecology, PoFo, starting this year.

Frontiers in Retreat was funded with support from the European Commission.

The project was also supported by the Ministry of Education and Culture, Kone Foundation and Alfred Kordelin Foundation (in Finland) as well as a number of national, regional and private funding bodies in the other six countries (find out more about each partner organisation on the 'Sites' section).

23/04/18

Review on Richard Skelton in the Wire

May 2018, issue 411

Richard Skelton’s work created in Frontiers residencies in Skaftfell in 2014–17 reviewed by Spencer Thompson. 

thewire.co.uk/issues/411

11/04/18

Zooetics+ Symposium at MIT Program in Art, Culture and Technology

Zooetics concludes its 5 year long research programme with a symposium on April 27-28, 2018 at MIT Program in Art, Culture and Technology. 

The Zooetics+ Symposium commences Friday, April 27, 2018 with the sessions “What Does Ecosystemic Thinking Mean Today” and “Knowledge Production Through Making and Living with Other Species,” discussing the habits of thought associated with cybernetics and the transition towards new thinking, inspired by sympoietics. The day will be finalized with a session speculating on what non-human imagination could look like in the session “The Radical Imagination: Toward Overcoming the Human.”

On Saturday, April 28, the program will explore further devices for ecosystemic thinking, discussing relevant artistic methods and practices in the panel “Artistic Intelligence, Speculation, Prototypes, Fiction.” “Creating Indigenous Futures” will be explored through bringing Indigenous values together with science and technology. The need for other, alternative vantage points—of species, of time, of traditions, of beings will be addressed in the session “Futures of Symbiotic Assemblages: Multi-naturalism, Monoculture Resistance and “The Permanent Decolonization of Thought.”

The symposium will conclude with a roundtable and launch of a new artistic research program “Sympoiesis: New Research, New Pedagogy, and New Publishing in Radical Inter-disciplinarity.”

Zooetics+ will be accompanied by a program of performances and installations by Juan Pérez Agirregoikoa, Allora and Calzadilla, Rasa Smite and Raitis Smits, Rikke Luther and NODE Berlin/Oslo.

Detailed Schedule and Description of Program Sessions:

FRIDAY, APRIL 27

9:30 AM Registration

10:00 AM Opening Ceremony by Erin Genia

10:15 AM Introduction to Zooetics+ Nomeda & Gediminas Urbonas

10:30 AM – 12:00 PM What Does Ecosystemic Thinking Mean Today?
Genealogy, impact and legacy of ecosystematic thought since the dawn of cybernetics. How have the infrastructures changed today since the publication of “Limits to Growth” or “Whole Earth Catalogue”? What tools are there to attune ourselves to perceive the interconnections of natural and man-made systems and to be able to make ethical, political, aesthetic decisions? This session is engaged with the question of how to transition from the habits of thought associated with cybernetics towards new thinking… perhaps sympoietics?
Cary Wolfe and Sophia Roosth
Respondent: Lars Bang Larsen

12:00 PM -1:30 PM Lunch break and Banner Tow Flight by Juan Pérez Agirregoikoa

1:30 PM – 3:00 PM Knowledge Production Through Making and Living with Other Species
Visions for species equality. Conviviality. Accessing other-than-human ways of knowing. Learning from other species (vis-a-vis biomimicry of other species)
Scott Gilbert and Stefan Helmreich
Moderator: Caitlin Berrigan
Respondent: Caroline A Jones

3:10 PM – 4:30 PM The Radical Imagination: Toward Overcoming the Human
Often reduced to a capacity of either a subject or consciousness, imagination could be thought as a way of opening up to the future and the unknown. Simultaneously being a sphere of change and transformation, it invents the directions of its own development and acts as a link between a human and the powers of the world. However, is it possible transcend human imagination? What would a non-human imagination look like? The field of imagination enables the exposure of radically impossible possibilities, introduces the perspectives of their development, and overcomes predetermined articulations and representations.
Chiara Bottici, Richard Kearney and Alexandra Daisy Ginsberg
Respondent: Kristupas Sabolius

SATURDAY April 28

9:30 AM Registration

10:00 AM – 11:30 AM Artistic Intelligence, Speculation, Prototypes, Fiction. Learning Through Artistic Methods.
Artistic methods of speculation, prototype making, modelling and fiction as pedagogical devices for ecosystemic thinking.
Jennifer Allora, Heather Davis, and Sheila Kennedy
Respondents: Larissa Harris and Laura Serejo Genes

11:45 AM – 1:15 PM Creating Indigenous Futures: Indigenous artists discuss their work in relationship to futurity and creative reclamation
Looking ahead to future generations, sustained by the strength of our ancestors and wise to the challenges of living in fraught times, how do we bring our values as Indigenous people to our work in creating Indigenous futures? As artists, how do we apply Indigenous science and technology to creating these futures?
Courtney Leonard (Shinnecock), Jackson Polys (Tlingit), Kite (Oglala Lakota)
Respondent: Mario Caro

1:30 PM -2:30 PM Lunch break

2:30 PM – 4:00 PM Futures of Symbiotic Assemblages: Multi-naturalism, Monoculture Resistance and “The Permanent Decolonization of Thought”
In the age of post-truth, peak oil, alternative facts, and the alternative right, it has never been more urgent to defend the need for the coexistence of other, alternative vantage points – of species, of time, of traditions, of beings.
Emmanuel Alloa, Kim TallBear, with Nuno Gomes Loureiro (Physics Department MIT), ACT graduate students
Respondents: Gediminas Urbonas, Laura Knott, and Nolan Dennis

4:30PM – 5:30PM Closing remarks and future plans:

Sympoiesis: New Research, New Pedagogy, and New Publishing in Radical Inter-disciplinarity

Florian Schneider, Corinne Diserens, Lars Bang Larsen, Gediminas Urbonas, Nomeda Urbonas, Judith Barry, Gary Zhang

6:00 Chalk by ALLORA AND CALZADILLA

6:30PM RECEPTION AT THE MUDDY CHARLES PUB

8:00 NODE PROJECTION EVENT

8:30 PM RASA SMITE and RAITIS SMITS, BIOTRICITY, at the MIT Center for Theoretical Physics

9:30 PM RIKKE LUTHER PERFORMANCE AT ACT CUBE

 

Register here

12/02/18

Nabb+Teeri: Mapping the insignificant 2.-25/2/2018

Titanik Gallery, Turku, Finland

In the autumn before retreating to their anthill to overwinter, the wood ants eat all the energy-containing eggs and cocoons that would otherwise not survive the winter. Deep underneath the anthill, below the frost line, the wintering ants huddle together in large heat-storing lumps, their size similar to that of a clenched hand. The ants continue to change their place in the formation so that everyone in turn can get inside to keep warm. The queen ant is kept in the middle. 

The works on display, however, have formed in dry, rigid, and rectangular spaces. Things that are barely 

perceptible move slowly on the edges of the field of vision, while others melt together in the middle of the room. There may have been a 56-hour blackout. Then the primates too gather in the warmest room of the house. Friends have deliberately forgotten some translucent materials in the studio. Texts have piled up and now form snowdrifts on both sides of the corridor. The workroom chaos has been simplified to an abstract, visual conundrum with a lossy compression; a sharp-edged polygon mesh; a porous, ruined space; a limitlessly scalable object that moves with the help of a mouse. The neighbours that are of different species have been in touch. The possibility of sculpting things, either in the dark or with completely closed eyes, remains to be taken into account. 

 

Whiteness in its righteousness 
bleaches creatures colorless 
tolerates no 
shadow 

- Ursula K. Le Guin / Whiteness. Meditations for Melville, part II 

 

Nabb+Teeri is an artist duo formed in 2008 whose practice is characterized by the preconditions of working in changing locations. Alongside of borrowed, recycled and remodelled or found materials and objects, their stratified, mesh-like works include elements created with 3D modelling or other digital technologies. Nabb+Teeri are graduates of the Finnish Academy of Fine Arts in Helsinki (MFA, 2011). They live and work in Övermark, a village in Finnish Ostrobothnia. The exhibition is part of the Frontiers in Retreat Project. Frontiers in Retreat is funded with support from the European Commission’s Culture Programme. Artists’ working has also been supported by Arts Promotion Centre Finland and Finnish Cultural Foundation. 

nabbteeri.com

 

Further reading and listening: 
Ursula K. Le Guin / Whiteness. Meditations for Melville, part II. First appeared in Los Angeles Review published by Red Hen Press in 2014. The poem is included in the Keynote 5/8/14 Deep in Admiration by Ursula K. Le Guin at the Conference on Arts of Living on a Damaged Planet at Santa Cruz in 2014.

27/12/17

Frontiers in Retreat: Edge Effects | Centre d’Art i Natura de Farrera CAN

Online exhibition Edge Effects: Natural movements at Farrera's Edge, has now been launched!

The site is curated Lluís Llobet, Lluís Sabadell Artiga, Pere Báscones and Marta Prunera, and it presents works by artists Frontiers artists Anna Rubio, Quelic Berga, Joanès Simon-Perret, Kati Gausmann, Nabb & Teeri, Tuula Närhinen, and Tracey Warr.

art-ecology.net

22/12/17

Edge Effects – Active Earth in AQNB

18/11/17

Frontiers in Retreat: Edge Effects | KC GRAD | 27/11 – 03/12/2018

Edge Effects exhibition by KC GRAD presents several Frontiers and Serbian artists at KC GRAD in October 27 - December 3, together with an extensive side programme. Curator of the exhibition is Ljudmila Stratimirović, art director of Cultural Center GRAD. frontiersinretreat.org/edge-effects

01/11/17

Frontiers in Retreat: Edge Effects | HIAP @ Art Sonje Center | Programme

Frontiers in Retreat: Edge Effects - Active Earth exhibition at Art Sonje Center, Seoul by HIAP – Helsinki International Artist Programme presents it's public programme, including performance-concert by mirko nikolić and Tuomas A. Laitinen, and two Learning Sessions co-curated by Bora Hong, Haeju Kim, Hyejin Yeo. Click to read more 

Full Edge Effects Programme: frontiersinretreat.org/edge-effects/programme

Tuesday, November 7

Exhibition Opening
4–6 PM, Art Sonje Center Project Space & Parallax Hanok

Concert-Performance
Active Earth Séance by mirko nikolić & Tuomas A. Laitinen
6–7 PM, Art Sonje Center Art Hall

Wednesday, November 8

Artist Talks:
Nabb+Teeri, Elena Mazzi, mirko nikolić, Tuomas A. Laitinen
Moderated by Jenni Nurmenniemi
Held in English with spontaneous Korean translation
4–6 PM, Art Sonje Center Art Hall 

Friday, November 10

Learning Session 1

Reading Art & Ecology: Artistic Practices for Symmetrical Life
7 – 9pm, Art Sonje Center Parallax Hanok
Panel: Rohwa Jeong, Kyounghee Lee, Bora Hong, Haeju Kim, Hyejin Yeo
Music: Gyepi sisters
Co-curated by: Bora Hong, Haeju Kim, Hyejin Yeo

RSVP *

Saturday, November 11

Learning Session 2
Reading Sympoiesis (Donna Haraway)
7 – 9pm, Art Sonje Center Parallax Hanok
Lecture: Yoomi Choi
Co-curated by: Bora Hong, Haeju Kim, Hyejin Yeo

RSVP *

 

* RSVP / Pre-registration for the Learning Sessions:  

https://goo.gl/forms/EmB6OIBeTPTKB8mI3

27/10/17

Interview with Kati Gausmann

by Tinna Guðmundsdóttir

New Frontiers artist interview by Tinna Guðmundsdóttir, Director of Skaftfell – Center for Visual Art: frontiersinretreat.org/artists/kati_gausmann/880_interview_with_kati_gausmann_by_tinna_gu_mundsd_ttir

20/09/17

Interview with Richard Skelton

June 14 2017 in Seyðisfjörður, by Tinna Guðmundsdóttir

An interview with Frontiers artist Richard Skelton by Tinna Guðmundsdóttir, Director of Skaftfell – Center for Visual Art, is now available online: http://www.frontiersinretreat.org/artists/richard_skelton